Vachana 496 — My Heart Is Bound to You Alone

Summary

Basavanna names the suras, kinnaras, and kimpuruṣas, but does not allow these celestial beings to draw his attention away.

His citta—his inward attention and orientation—is fixed upon Kudalasangama Deva as Sangayya and Lingayya. The repetition shows that the mind no longer moves between different centers.

The Aikya concern is complete inward anchoring: when the heart rests in the Linga, no other claim remains.

Imagery & Symbolic Relevance

The suras, kinnaras, and kimpuruṣas form the opening field of the vachana. They represent celestial and extraordinary beings who might otherwise attract spiritual interest.

Basavanna’s question—who knows or concerns himself with them?—removes their hold upon his attention. He does not enter into their rank, nature, or significance.

The repeated phrase “my citta is upon You” is the central movement. Citta here indicates the inward faculty of attention, feeling, and orientation. It has ceased to scatter toward alternatives.

The addresses Sangayya and Lingayya bring this inward orientation directly to Kudalasangama Deva. The heart is not fixed upon an abstract idea, but upon the Lord as Linga.

The final declaration, “I know no other,” completes the movement. What began with celestial multiplicity ends in undivided Divine reliance.

Lingayoga

In Lingayoga, the Anga must not allow attention to become dispersed among impressive beings, experiences, or spiritual possibilities.

The citta is gathered into Linga and remains there. The movement is not forced rejection, but the ending of inward wandering once Kudalasangama Deva has become the sole center.

The practice-point is direct: let attention rest steadily in the Linga without creating another spiritual refuge or object of fascination.

Editorial Commentary

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