Summary In this vachana, Basavanna gathers several forms of worship: eightfold archana, sixteenfold upachara, seeing the worship performed, singing Shiva-tattva, rejoicing before Shiva, and speaking in devotion. These are not…

Summary In this vachana, Basavanna affirms devotion that arises directly from the heart. He says: sing and dance as the mind moves within. Sing and dance before the Shiva-Sharanas. The…

Summary In this vachana, Basavanna asks whether another person can enjoy one’s intimate love or eat one’s food. The answer is self-evident. Certain experiences cannot be transferred. They must be…

Summary In this vachana, Basavanna compares Divine recognition to treasure hidden within the earth. The treasure is present, but it is not visible to ordinary sight. It is shown by…

Summary In this vachana, Basavanna asks what is gained by singing, hearing śāstra and purāṇa, or studying Veda and Vedanta. These may bring religious learning and public regard, but they…

Summary In this vachana, Basavanna allows that one may sing, dance, and offer bhakti to the Linga. The Linga does not ask, demand, or stretch out its hand in hunger.…

Summary In this vachana, Basavanna addresses those who say, “We have given, offered, and worshipped the Linga.” He gives the image of a person who leaves his sandals outside the…

Summary In this vachana, Basavanna asks what is gained by dancing, singing, or reciting when threefold dāsoha is absent. He gives three sharp examples. The peacock dances, the lute sings,…

Summary In this vachana, Basavanna warns that bhakti must not be taken up carelessly. It is like a cutting instrument that cuts while going and cuts while returning. Once entered,…

Summary In this vachana, Basavanna shows how bhakti may begin with full bodily involvement and then gradually weaken. On the first day, the head bows. On the second day, the…